Why Léolo might be the best upcoming movie ever

Lots of people love adult movies; They show us the struggles and tribulations of transitioning from adolescence to adulthood and the typical anxieties of adulthood. We have all struggled at some point to navigate our way through this busy world full of high expectations. We love that we can easily relate to these movies, and find comfort in knowing that we’re not the only ones who have felt this way. We may also find comfort in these movies because they allow us to acknowledge our past and our childhood, and in a way, they relieve a bit of stress by channeling our inner child again.


There have been a bunch of great films about adulthood over the years, one of them being the grim fantasy drama. yulu. Directed by Jean-Claude Luzon in 1992, the story follows young boy Leo (Liulu) Luzon who spends most of his time in his fictional life escaping from his family.

Today’s movie

Leulo and the Wonders of Escape

The film doesn’t necessarily relieve us of the difficult themes surrounding this story as in the first two scenes we actually see 12-year-old Leo writing in his diary, detailing that people “only trust their own truth” who call him Leo and refuse to recognize him as Leo. “I dream that I am not,” says the boy, indicating that he does not want the name Leo and imagines himself as a different person, but also indicates the specter of his death.

This, combined with beautiful sad music (particularly the use of Tom Waits), is immediately heartbreaking for audiences to hear, as it becomes a recurring phrase he mentions throughout the film as a way to distance himself from his family and daily life. This is also managed by his fantasies, which we quickly get to know.

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He even conjures up his own imagination about how it was created, dreaming that on a remote Italian farm, a worker masturbated on a box of tomatoes that had been shipped to the market. There, his mother fell and slid on them so hard that a tomato stuck to her. Then nine months later, Leo was magically born. This is also where his desire to be called Léolo Lezoné comes from, as it seemed to him more Italian (in fact, he lives in Montreal). It is clear to us that young Lyulo will do his best to create an alternate reality for himself to escape from his ordinary family, who are all suffering from various different mental disorders.

A funny but heartbreaking coming of age movie

From the beginning, it seemed to us that the life of the Liulu family was humorous and anxious at the same time. His father rules the house with very strange beliefs about bowel movements, which he regularly checks and monitors for each member of the family. This has already proven difficult for Léo, who is not very private at all, and is something many viewers probably associate with in their childhood. His family quarrels and argues, and some are placed in a mental institution.

Even if there’s humor, warmth, and love pervaded throughout his life (which prevents the movie from sinking into misery), Leulo is understandably confused about why his family treats each other the way they do. His psychopathic grandfather is blamed on his father’s side for bringing madness to the family. Although his theory says that his father is the Italian man responsible for the tomatoes and therefore his mother is not crazy, that is why the crazy comes from his father’s side.

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It only gets more disturbing from here, as Leulo witnesses a world where naughty men abuse women, boys are interested in sex to the point of bestiality, and the apartment and city streets are littered with filth and rats. As an audience, we regret that Leulo is growing up in such conditions and we can’t blame him for disappearing into his fantasy land. This is especially the case when his hatred for his grandfather increases when old man Bianca forces Leulo’s neighbor (whom Leo is already focused on) to submit to his disgusting fetish of trimming his toenails with her teeth. Of course this drives Lyulo crazy, so he decides to try to hang his grandfather in the shower, an act of revenge on the grandfather who once tried to drown Lyulo in the pool. Dysfunctional family is made in Liulu Little Miss Sunshine Resembles The Brady Bunch.

Léolo shows the importance of art and imagination

Liulu’s coping mechanism is of course to isolate himself away from his family, art and fantasy, which makes sense. As children or teenagers, it is very common to find a way to escape, whether it is through imaginary friends, fantasy worlds, or books. Sometimes when life gets a little too much, we need to find somewhere else to go, and Leulo makes a very understandable and relatable character for that reason. He even says “my family became characters in the novel,” which also refers to the director’s semi-autobiographical use of his family (tragically, Luzon died in a plane crash at 43 before any other films were made).

Leulo also introduced himself to literature, where his love for escaping from reality arose. His attention was caught when a strange and mysterious man left him a copy swallowed swallow By legendary savage Réjean Ducharme (Canada’s answer to J.K. Salinger). From there, Léo immersed himself directly in the book and then escaped by thinking of his family as characters. He also enjoys writing down his thoughts and feelings, and the film unfolds through these memories read by a poet who recounts Leulo’s struggles, confessions, feelings, and fantasies as a child who grew up neglected, confused, and self-contradictory.

Leulo is not the average movie

It is clear that yulu It’s not the typical puberty story we’re used to; It’s darker, heartbreaking, and disturbing than the regular movie, and as a result depicts something inherently painful and mysterious about childhood (which is especially resonant for victims of poverty or abuse). However, it details similar feelings and thought processes that each member of the audience can certainly understand. It’s an amazing tale of early life struggles, the struggles we have with ourselves, and our deep and arduous need to escape harsh realities, whatever that may be to us.

Luzon brings to life very personal, thought-provoking, honest, real and very honest themes and experiences. Léolo is a character who can sometimes be prone to disturbing thoughts, having grown up in such a dysfunctional and mentally unstable family, trying her best to break away from them, and escape in any way she can find, even if he doesn’t succeed. In the end. Like the best of arts, it makes viewers feel intense sympathy and a whole gamut of emotions, evokes great laughter, outright sadness, and deep introspection. for these reasons, yulu It has to be one of the greatest stories of growing up ever, wondering what family means, and what kids do to deal with the world.

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